“Neither,” the libretto to Morty Feldman’s ‘chamber opera,’ by Samuel Beckett
[Note: This post concludes my May experiment in which I post only poetry. The experiment had several interesting results:
- I realized that I don’t actually have to tell you about the new stain on my new jeans that I bought because I went shopping to avoid the gnawing existential/material (really the same thing, though) baggage weighing down my day-to-days at the mall last weekend (in which I look really good, though, mind you) every single day maybe even a few times per day;
- I can get by on Twitter just fine;
- I lost approximately 1.334% of my followers. (Philistines!);
- I don’t really know that many poets. Please go out and get a bunch of James Tate books and read some Sexton and Lowell. Those are the only poets I feel strongly (positively) about.
Thanks for your indulgence! I’m going tentatively to resume posting things of a personal/cultural nature soon enough. Soon enough.]
NEITHER
to and fro in shadow from inner to outer shadow
from impenetrable self to impenetrable unself by way of neither
as between two lit refuges whose doors once neared gently close, once away turned from gently part again
beckoned back and forth and turned away
heedless of the way, intent on the one gleam or the other
unheard footfalls only sound
till at last halt for good, absent for good from self and other
then no sound
then gently light unfading on that unheeded neither
unspeakable home