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Panni Malekzadeh:

The girls in this show are my sister’s 17- and 18-year-old friends. I thought that it would be fun to a get a group of young girls together who are all obsessed with love and boys, makeup and prom, and so on, but don’t quite understand the pain and danger that can go with them. The paintings can be read differently: for example, love as pain, pain as pleasure—concepts that many teenage girls, and even many of us adults, don’t quite understand yet.

Kool A.D. - Damien Hirst (feat. MondreM.A.N. & Dope G) [prod. by Young L]

Kool A.D. “Damien Hirst” (feat. MondreM.A.N. & Dope G) [prod. by Young L]

Seriously – Mr Hirst – I am talking to you. It seems you have no one around you to say this: stop, now. Shut up the shed. I say this as a longtime admirer, not an enemy. No encounter with a contemporary work of art has ever thrilled me like the day I walked into the Saatchi Gallery in 1992 and saw a tiger shark’s maw lurch towards me. But these paintings are abominations unto the lord of Art. They dismantle themselves. Each of these paintings – from the parrot in a cage to the blossoms and butterflies – takes on the difficulties of representational painting and visibly fails to come close, not merely to mastery, but to basic competence.

Jonathan Jones

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